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Description
Very Bad Way. I am worn out, on edge and just flat out burnt out. Scream, claw, rant, rage. Stagnation coupled with lack of ideas are and lack of evolution has me in a very bad mood. The problem is, I need to evolve, kick start my mental capacitors and get back on a new path.
I have a small pile of documents that all have the same feel to them. Amenii, or another bunny, frontal shot, ears forwards, image cuts off just below the hips. Arms vary, angle not so much. The problem is that I work with limited size and by limited, I mean ¼ sheet of printer paper. So to get details one has to sacrifice space.
And the crux of the problem:
I have already drafted Zootopia Arctic Drift and Zootopia Underbelly.
I really should be working on these. And other things. Those of you who are waiting know what and yes I have not forgotten.
In short, my life has become to routine – and due to location I am living in, I am going stir crazy. So this is what I look like when things go bad.
Image size
1266x1641px 1.97 MB
© 2017 - 2024 Code-Shark
Comments29
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Sorry to intervene and it's defenitely not my business but i somehow know this problem a bit (when someone feels trapped in his own style).
I see several points in it, technical and not-so-technical.
Technically it's a bit more simple (except the fact one needs to leave his comfort zone), here reference sheets (posing and anatomy) come handy, perhaps studying the others' comic works (even anime story-telling priciples) and other bits of research, inventing new composition types, types of background, etc.
But there's another side in it, it seems more important to me. I see the predominance of words over drawings. Your stories are always interesting, the pictures are just accompanying it. I can almost never guess the story or the storyline only from the drawing. And even if the story is really harsh, the drawing is much milder (totally imho, but i'm not frightened when i see, only when i read). So, it's a question of visualisation, words (being more abstract in their nature) don't hurt so much as words. And the adorablebunny girl with big eyes successfully hides the pain behind the story.
Sorry, if i did smth wrong, and for my english (i'm not native)
I see several points in it, technical and not-so-technical.
Technically it's a bit more simple (except the fact one needs to leave his comfort zone), here reference sheets (posing and anatomy) come handy, perhaps studying the others' comic works (even anime story-telling priciples) and other bits of research, inventing new composition types, types of background, etc.
But there's another side in it, it seems more important to me. I see the predominance of words over drawings. Your stories are always interesting, the pictures are just accompanying it. I can almost never guess the story or the storyline only from the drawing. And even if the story is really harsh, the drawing is much milder (totally imho, but i'm not frightened when i see, only when i read). So, it's a question of visualisation, words (being more abstract in their nature) don't hurt so much as words. And the adorablebunny girl with big eyes successfully hides the pain behind the story.
Sorry, if i did smth wrong, and for my english (i'm not native)